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c. 1445 – May 17, 1510. Italian painter.

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Andrea del Sarto
Selbstportrat

ID: 77141

Andrea del Sarto Selbstportrat
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Andrea del Sarto Selbstportrat


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Andrea del Sarto

b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.  Related Paintings of Andrea del Sarto :. | Our Lady of sub | St James | Lamentation of Christ gg | The clergy image | Assumption of the Virgin |
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Juana Romani
was an Italian painter, student and model of Ferdinand Roybet and Jean-Jacques Henner. Romani was born in Velletri, near Rome in Italy, but moved with her family to France as a child.
Jan Mabuse
c. 1478 C October 1, 1532 Flemish painter, b. Maubeuge. His real name was Jan Gossaert or Gossart. He may have studied in Bruges before joining the Antwerp guild in 1503. In 1508 he went for a year with his patron, Philip of Burgundy, to Italy, where he was strongly influenced by Italian art and ancient sculpture. He was among the first Flemish artists to represent the nude and classical mythology in a manner derived from Italy. His forms are solid and heavy, and their surfaces are rendered with smooth precision. Mabuse also executed some impressive portraits. The imperious attitude he gave to his subjects was highly popular in his time. A Donor and His Wife (Brussels), Neptune and Amphitrite (Berlin), Danaë (Munich), St. Luke Painting the Virgin (versions in Vienna and National Gall., Prague), and Jean Carondelet Adoring the Virgin (Louvre) are characteristic paintings.
Anton mauve
Dutch Painter, 1838-1888 He came from a large family of clergymen in the province of North Holland. At the age of 16 he was apprenticed to the animal painter Pieter Frederik van Os (1808-92): animals (especially sheep, but also cows and horses) became Mauve's preferred theme. He then trained for a few months with Wouterus Verschuur, who gave him his love of horses, in the style, at least, of Paulus Potter and Philips Wouwerman.






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